My experience of Blackpool was of a run down, has been town, dreaming of better days, slowly seeing out the passing of decreasing numbers of visiting ageing people who remember the town in its heyday. It was associated with dilapidation and drug use for a lot of people, with a faded atmosphere of yesteryear.
The most I ever got out of the town was enjoyment of the beach. While I saw little to warrant the historical moniker of Blackpool’s “golden sands”, I could take pleasure in the windswept bleakness, accentuated by the sharp cold weather of the north west of England.
The beach was dominated by the three piers, like outstretched fingers reaching for the sea, grasping for something that was gone. Like the town, they had an aged and rundown tone, left weatherworn from years of exposure and neglect.
One day, late on in winter, I took the opportunity to head to Blackpool for some photos. I was primarily interested in getting some long exposure shots of the sea, taking advantage of the fading light. The wind was biting, but there was little rain, just the spray of the sea.
The photo of the two piers captures for me the essence of the town. The reality, the dark frame in the foreground, seaweed hanging off, an old relic. Beyond, as though in the past, lies the full pier across a desolate beach, relatively pristine at a distance. It’s a false promise; the photographic equivalent of an unreliable narrator. One of my favourite photos.